Issues in curating contemporary art and performance pdf

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issues in curating contemporary art and performance pdf

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Issues in Curating Contemporary Art and Performance by Judith Rugg

Issues in Curating Contemporary Art and Performance proposes that the concept of curating is a complex field of enquiry. By drawing together artists, curators, architects and cultural theorists, it proposes new approaches to curating and ways ofMoreIssues in Curating Contemporary Art and Performance proposes that the concept of curating is a complex field of enquiry. By drawing together artists, curators, architects and cultural theorists, it proposes new approaches to curating and ways of developing critical enquiry about this increasingly expanding field. Focusing on pertinent issues in curating contemporary art and performance, the books four parts examine forms of thinking in contemporary curating- curating and the interdisciplinary- as intervention and contestation- as a form of reconsideration of conventional museum spaces and as a problematic in emerging practices. Beginning with a contextual map of recent thinking on curating which examines some of the issues that have emerged in curatorial discourse over the last ten years, the volume then investigates curating as a research process and a form of collaboration in considering contemporary photography and video. Historical and contemporary perspectives examine issues of gender and marginalisation and diversity- and the particular issues relating to curating and practices such as animation, site-specific dance and computer-based work are discussed.

In contemporary art, the curator plays an important role in the production of artistic meaning through exhibition-making. Although sociology has tended to see this work as the exercise of tacit or embodied knowledge, curatorial knowledge and plans may be elaborated and altered by the situated actions of exhibition installation. Curators have risen to prominence in the contemporary art world because of the increased importance of mediating between institutional bureaucracy, market forces, artistic representation, and public taste. In particular, the crux of curatorial practice in contemporary art is the construction of artistic meaning through the exhibition. As Greenberg et al. This reduction of curatorial work to the exercise of tacit knowledge, however, overlooks the role played by artistic objects in their own mediation, and in doing so, fails to provide a documented, explanatory model of how culture enters into action.

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New Institutionalism Revisited

Permalinks X Kopier links for linkning til denne kursusbeskrivelse Denne version: Nyeste version: Denne version vil altid linke til denne version af kursusbeskrivelsen. Nyeste version vil linke til den nyeste version af kursusbeskrivelsen. The age of curating: Contemporary performances of management and organization: Examination form Oral exam based on written product In order to participate in the oral exam, the written product must be handed in before the oral exam; by the set deadline. The grade is based on an overall assessment of the written product and the individual oral performance. The age of curating: Contemporary performances of management and organization.


To stay relevant, art curators must keep up with the rapid pace of technological innovation as well as the aesthetic tastes of fickle critics and an ever-expanding.


Issues in Curating Contemporary Art and Performance

This course explores histories, theories, practices and critiques of curating, enabling students to develop and establish their own critical understanding and approach to curating and contemporary art practice. We will survey the main trends, institutions and concerns of contemporary curatorial practices. We will also visit exhibitions in London, from DIY project spaces to established museums. The course will provide you with important practical information about funding, promotion, installation and other professional aspects of curating. This is an opportunity to gain practical insights into curating contemporary art in both gallery and alternative spaces.

At least on a discursive level, there occurred a shift away from the institutional framing of an art object as practiced since the s with elements such as the white cube, top-down organization and insider audiences. For the projects and events that were initiated in this context, institutional practice was not confined to traditional exhibition programs such as solo exhibitions or thematic shows ; the exhibition was also conceived as a social project and operated alongside discursive events, film programs, radio and TV shows, integrated libraries and book shops as well as journals, reading groups, online displays, invitation cards, posters and residencies. Solo exhibitions on the other hand might last for a year and show just one work at a time. As these new curatorial forms of action and presentation became established, according to the editor of the Verksted-publication New Institutionalism , Jonas Ekeberg, institutional actors let go of traditional characteristics, roles and mandates, and began to treat their position in the cultural-political and social structure self-critically.

By Intellect Books Ltd. Issues in Curating Contemporary Art and Performance proposes that the concept of curating is a complex field of enquiry. By drawing together artists, curators, architects and cultural theorists, it proposes new approaches to curating and ways of developing critical enquiry about this increasingly expanding field.

Issues In Curating Contemporary Art And

FREE shipping on qualifying offers. To stay relevant, art curators must keep up with the rapid pace of technological innovation as well as the aesthetic tastes of fickle critics and an ever-expanding. Bristol and Chicago: Intellect Books, O'Neill employs his customary structure of an almost encyclopaedic range of cita- tions from artists and curators who have written about curatorial practice and.

Recommend to your library. Request a review copy. To stay relevant, art curators must keep up with the rapid pace of technological innovation as well as the aesthetic tastes of fickle critics and an ever-expanding circle of cultural arbiters. Issues in Curating Contemporary Art and Performance argues that, despite these daily pressures, good curating work also requires more theoretical attention. Now in paperback, this volume is an essential read for scholars, curators and art enthusiasts alike. Issues in Curating Contemporary Art and Performance proposes that the concept of curating is a complex field of enquiry.

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